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WF 13 - The Polish Embassy / The Cane Field

by Bizarre Statue

/
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  • WF 13 - Limited Edition Cassette
    Cassette + Digital Album

    Pro-dubbed white cassette with unique packaging including die cut outer sleeve and j-card. Also includes a collectable cigarette card with background details of the album's concept by Bill Foreman.

    Only 100 copies produced

    Design - Nick Taylor
    spectral-studio.co.uk

    More pictures to follow....

    Includes unlimited streaming of WF 13 - The Polish Embassy / The Cane Field via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

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1.
My hand held the railing I fingered the film. I paused by the blue flowers In the icy vestibule I attended the scent of the sewer Snow fell in the streetlight A goshawk looked me straight in the eye Then flew over the Spree *** I knelt by the Embassy fence He seemed asleep on the sidewalk But ice formed on his moustache And his eyes remained open I lifted the flask from his fingers I finished it for him A streetcar’s sound crept closer And I darted away *** I slip on the steps To the S-Bahn descending at Friedrich Street I keep with the crowd While I’m wiping away the bleeding I give you the film Our handshake enveloping secretly Before you can leave I attempt to speak discreetly “If it's true that they're keeping me Another year behind the Wall I'm going to need that pistol you promised So give it to me. Give it to me. Give it to me. Give it to me.”
2.
I drop my machete I kneel in the mud I listen to the wind Shake the cane and move on I tongue my broken tooth I rub my malformed hand A swift sails from the mountain Toward the docks and across the bay It flees these Antilles Across the water to Venezuela Along the coastline to Bahia Across the water to the Cape Verdes Up the river along the Casamance *** The dim of the new moon The scent of the whale oil The pair of lanterns in my good hand The shattering glass The smoke in the rollers The flying flames on the sails A spotted piglet behind me The burning curing house The falling walls of the distillery Our fleet footsteps The crying livestock The fading field in the distance *** I set the snare I lay down the manioc A squeal in the shade of the kapoks Black spots on the hog I stroke my white beard I’ll sleep hungry tonight
3.

about

This project is my first album completed as Bizarre Statue. Between 1992-2016, I recorded and released music in a singer-songwriter vein both collaboratively and solo. As time passed, I came to feel somewhat boxed-in by this form.

Following a long retreat in 2018, I felt like I could let go of the rigidity of the traditional song form and use a more open-ended working process. This project is the result of that opening.

Both sides contain several instrumental and three vocal portions. Lyrically, each piece takes a setting and a focal character, “The Polish Embassy” that of a Cold War spy in East Berlin, “The Cane Field” that of an escaped slave in the 18th century St. Kitts.

March 2020

"Having delivered choice cassette/download albums from The Home Current and The Central Office of Information earlier this year, Woodford Halse takes another left field turn with the same format combination on this inaugural full-length from Bizarre Statue. The Polish Embassy / The Cane Field (dual-titled after its two eighteen-minutes-or-so long tracks), is a circuitous endeavour for someone who has previously followed more straightforward singer-songwriter paths. Building extended multi-movement instrumental passages around two fragmentary core songs, this is a collection that demands considerable but rewarding perseverance to pass through its many hidden dimensions.

Thus, “The Polish Embassy” side moves through musique concrète collages of minimalist percussion, serene neo-classical ambience, hushed ‘n’ scuffed vocal-led folk rambling and filmic Bernard Herrmann atmospherics. On the flipside, “The Cane Field” takes a more direct route initially as a whispery rustic rumination, before splaying-out to incorporate unhinged carnivalesque ricketiness, skeletal organic drones, Morricone-tinged cowboy-film meditations and spectral Ummagumma-era Pink Floyd psychedelia. Not a conventional or easy ride all told but there is something about Bizarre Statue that merits further observation." - Concrete Islands

credits

released March 1, 2020

Recorded between November, 2019 and December, 2019 in Spokane, Washington. All composition and sound by Bizarre Statue, save an adapted portion of Erik Satie’s Gnossienne no. 1 (public domain) in “The Cane Field,” and three field recordings, using a Creative Commons license:

Playground, by Domar1979 (freesound.org/people/Domar1979/sounds/207214)
Rain on Metal Roof, by RTB45
(freesound.org/people/RTB45/sounds/162818)
Seaside Waves, by InspectorJ (freesound.org/people/InspectorJ/sounds/400632)

Mastered by Benjamin Price at studilaroche/Mastering Atlanta.

© 2020 General Ludd Music, all rights reserved.
bizarrestatue.wordpress.com
bizarrestatue@gmail.com

Cigarette Card Image - Illustration adapted from “Lullabies of Many Lands Collected and Rendered into English Verse by A. Strettell” - 1894 (artist unknown)

For Woodford Halse:

Concept - Mat Handley
woodfordhalse.bandcamp.com

Design - Nick Taylor
spectral-studio.co.uk

Contact
woodfordhalsetapes@gmail.com

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Bizarre Statue Los Angeles, California

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